![]() There have been complaints in the past that this layout can provoke long, unwieldy cameras. The design direction is perhaps best expressed in the presence of a quick-release mount compatible with the ubiquitous VCT-14U plate bridging the shoulder pad. The joy of the thing, though, is in the optional shoulder kit the top handle, and shoulder mount, along with the viewfinder, which together create the best implementation of a news-style camera that we've ever seen from something that wasn't just built as one from the ground up. On its own, the body is a straightforward square-sectioned shape with a battery mount on the back which ought to be applicable to a wide variety of circumstances. This has been well-known since the camera's announcement at NAB, and it's nice to be able to confirm that it works very, very well. The fact that these lines have become blurred indicates a growth in flexibility, though as a logical consequence it's very easy to slip into the trap of assuming that the most suitable design overall is the type with which one has the most experience.Īll of this notwithstanding, I'm perfectly happy to report that the Blackmagic Ursa Mini is a pleasure to use principally because it can be set up very much like an ENG camera. ![]() ![]() ![]() Ten or fifteen years ago, cameras were clearly divisible into categories defined by their application: shoulder-mounted newsgathering, highly portable documentary on the better handycams, or high-grade cinema applications. RedShark 12 Days of Christmas Replays: Phil Rhodes takes a long, hard look at the Blackmagic Ursa Mini and concludes that this is a very important camera indeed.Īny analysis of a camera – or of anything, really – is always based on our requirements and expectations. ![]()
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